Redshaw, Thomas Dillon, 1944-
Found in 4 Collections and/or Records:
Redshaw, Thomas Dillon, 1995-2015
Correspondence and collected materials from and about Deane's friends, colleagues, and associated organizations. Includes many drafts of literary work sent to Deane for comment, both in his personal capacity and as editor of Dedalus Press.
Collection is open for research.
Contracts and personal financial documents are closed for 75 years from the date of creation for privacy concerns.
Audio and video recordings are not available for playback due to format impermanence and have not been reformatted. Please let Burns Library Public Services know of your specific interest; if possible, reformatting will be scheduled.
Redshaw, Thomas Dillon, 2003-2005
Correspondence to Gerard Fanning, both personal and professional.
Collection is open for research.
Submissions, Thomas Dillon Redshaw, 1976-1977
Includes "How Morning Begins", "In Muir Woods", "Shadow Box", and "Who Sees a Flame" by Redshaw, as well as "And Furthermore My Mother's Name was Margaret", "Andromeda Ponds", "The Borrowed Tent", "End in Itself", "In Search of the Brother-in-law", "Papa is Dead and There is Something Wrong", "Two Rivers and a Bay", and "Wolf" by Jonathan Sisson
Collection is open for research.
University of St. Thomas, Center for Irish Studies, 1997-2000
Correspondents include Thomas Dillon Redshaw.
Collection is open for research.
Contracts and personal financial documents are closed for 75 years from the date of creation for privacy concerns.
Audio and video recordings are not available for playback due to format impermanence and have not been reformatted. Please let Burns Library Public Services know of your specific interest; if possible, reformatting will be scheduled.