This sub-subseries includes a number of copied Beckett manuscripts and adaptations. These include a five-page copy of the corrected typescript of Company; the preliminary shooting script of Film; a copy of Beckett's notes on a television adaptation of Krapp's Last Tape; an article examining Beckett's philosophical structure, "Essence: Source of Collision in the Art of Samuel Beckett" by John Lawrence; a nine-page copy of Beckett's corrected galleys of Not I; a copy of Project I: Three Original Motion Picture Scripts by Samuel Beckett, Eugène Ionesco, and Harold Pinter; the Blue Moon edition of Beckett's Stirrings Still; and an operatic adaptation of Beckett's Watt.