Tim Vignoles collection of Juanita Casey
Dates
- Creation: 1969-2014
Scope and Contents
The collection includes correspondence between Juanita Casey and Tim Vignoles, mainly personal in nature, but also with discussions about arranging for the publication of Casey's writings. Casey's letters are candid, and discuss her family, finances, health, horses and dogs, housing moves, joys and frustrations, and writing. The collection also includes Vignoles's administrative files regarding his option on a potential film adaptation of Casey's The Horse of Selene, and collections of Casey's poems, short stories and one play at various stages of drafting.
Some files in this collection contain outdated racist language about Romani people and Irish Travellers.
Creator
- Casey, Juanita (Person)
Restrictions on Access
Collection is open for research. Audio recordings have been digitally copied; all original media were retained, but may not be played due to format. Digital use copies can only be accessed in the Burns Library Reading Room.
Conditions Governing Use
These materials are made available for use in research, teaching and private study, pursuant to U.S. Copyright Law. The user must assume full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used for academic research or otherwise should be fully credited with the source. The original authors may retain copyright to the materials.
Biographical note: Juanita Casey
Juanita Casey was born on October 10, 1925 in Teddington (outside London, England) to Bertha Louise Newman, who named her Lorna. She was adopted soon after birth by Gerald Haw Taunton Barlow and his wife Mary Bischoff Barlow, who named her Joy Barlow and raised her near Southampton and Bournemouth. She attended four different boarding schools and enjoyed none of them. She left school for good after giving birth to her unknown rapist’s child, who was immediately adopted. Casey spent much of her childhood at the farm of her uncle, (Andrew) Walter Barlow, who introduced her to horse breeding, animal fairs, and boats, and nicknamed her “Juanita” after a lioness left behind by the circus that routinely overwintered on his farm. Through Walter Barlow and the people running the circus, Casey learned to speak Romani; she also learned that her mother and possibly her father had been either Romani or Irish Travellers, and embraced that heritage.
During work experience with horses on a Dorset farm, Casey met John Fisher. They married in 1945 and had a son, Will, two years later. The Fishers sold the farm to live on a boat moored in Cornwall, sailing to Ireland and other ports at will. She left Fisher to live in Cornwall’s St. Ives art colony in the late 1940s, and was soon exhibiting her Japanese-cum-Lascaux cave-style drawings and monotypes of horses.
While in Cornwall, Casey met the artist Sven Berlin. They married and had a son, Jasper, in 1953. The Berlins moved into a horse-drawn caravan halted in England’s New Forest as part of a community of Romani people there. Casey inherited money from her father’s will and used it to purchase a farm in Emery Down, within the New Forest, and turned it into a stud. She raised horses, particularly Appaloosas, as well as zebras, and made many attempts at producing a zorse (a zebra-horse hybrid). Her skill at handling difficult horses (and zebras) became so well-respected that she was sent Zaman, a headstrong stallion owned by Queen Elizabeth II.
In 1963, Casey divorced Berlin, surrendering her inheritance in the process. That same year, she married their Irish groom, Fergus Casey, and with him had a daughter, Sheba. After wandering between England and Ireland, the Caseys eventually settled in a beach chalet in coastal Mornington, County Meath, until 1971. During this period, Juanita Casey produced the majority of her creative writing, including the short story collection Hath the rain a father? (Phoenix House, 1966), the poetry collection Horse by the river (Dolmen Press, 1968), and two novels, The horse of Selene (Dolmen Press, 1971) and The circus (Dolmen Press, 1974).
In March 1971, Fergus Casey went missing, and his body washed up in Galway that May. Juanita Casey and Sheba moved to a caravan in an orchard at Churchtown, County Dublin, before moving the caravan to Rosemary Bradshaw’s studio in Sneem, County Kerry, where Casey decorated pottery and exhibited her animal paintings. In 1974, she and Sheba moved again to Okehampton, Devon, where they remained, living alternately in caravans and chalets. Casey worked as a horse-master with the Roberts Brothers Circus for a short period, and continued to write, draw, and work with horses. She published her autobiography, Azerbaijan!, in a limited edition of 50 in 2008, and a poetry chapbook, Ballybunions, in 2012.
Casey died in Okehampton, Devon on October 24, 2012.
Sources:
Aarons, Sonia, “Juanita Casey: Writer, artist and horse breeder who lived the archetypal bohemian life,” The Independent, December 5, 2012. https://www.independent.co.uk/news/obituaries/juanita-casey-writer-artist-and-horse-breeder-who-lived-the-archetypal-bohemian-life-8382233.html
Burke, Mary, “Casey, Juanita,” Dictionary of Irish Biography, September 2023. https://www.dib.ie/biography/casey-juanita-a10338.
Burke, Mary, “Juanita Casey - a forgotten Traveller-Romany writer rediscovered,” RTE, August 5, 2022. https://www.rte.ie/culture/2022/0805/1312820-juanita-casey-a-forgotten-traveller-romany-writer-rediscovered/
Biographical note: Tim Vignoles
Tim J. B. Vignoles was a collector of Irish art and literary work, especially by Louis le Brocquy, Juanita Casey, Seamus Heaney, and Jack Yeats. He developed personal relationships with a number of those whose work he collected, whom he met through his close friendship with Liam Miller of the Dolmen Press. Vignoles worked in theater in Ireland and then England, and he ended up in television, first at the BBC and then working for Hollywood studios and at the Irish broadcasting organization, RTE. Tim Vignoles and his wife, Eileen, had two daughters.
Source:
Arnold, Bruce. The Tim Vignoles Collection of Irish Books, Dublin: Adam’s, 2015. https://adams.auctioneersvault.com/catalogues/7044/files/assets/basic-html/page-1.html
Extent
1.5 Linear Feet (2 containers)
0.66 Gigabytes (2 files with approximately 1 hour of audio)
Language of Materials
English
Abstract
Correspondence and writings by twentieth-century author and artist Juanita Casey, collected by Tim Vignoles, pertaining to short stories, poetry, and other works by Casey, alongside business correspondence and other administrative materials pertaining to a proposed film adaptation by Vignoles of Casey's novel The Horse of Selene.
Arrangement
Arranged in three series: I. Correspondence and personal materials; II. Horse of Selene film adaptation; and III. Writings.
Immediate Source of Acquisition
Purchased from Adam's Auctioneers of Dublin, 2016.
Separated Materials
Published works associated with this collection have been transferred within the Burns Library and can be found in the Boston College Library catalog.
Processing Information
Duplicates of audiovisual materials have been deaccessioned resulting in gaps in object numbers.
Source
- Adam's Auctioneers of Dublin (Firm) (Organization)
- Juanita Casey Artszone Interview (duplicate copy)
- Title
- Tim Vignoles collection of Juanita Casey
- Status
- Completed
- Subtitle
- 1973-2014
- Author
- Elizabeth Peters
- Date
- 2024
- Description rules
- Describing Archives: A Content Standard
- Language of description
- English
- Script of description
- Latin
Repository Details
Part of the John J. Burns Library Repository
John J. Burns Library
Boston College
140 Commonwealth Avenue
Chestnut Hill MA 02467 USA
617-552-4861
burns@bc.libanswers.com