Scope and Contents From the Collection: This collection contains James W. Smith’s recordings of Boston-area Irish music in the 1950s and 1960s. Using an open-reel tape recorder, Smith recorded musicians at social gatherings in his home in Allston, in homes of musician friends, and in public settings. While most are unpublished recordings, some reels also include published material, such as dubs of LP and 78-rpm records and recordings from radio. The collection also contains unpublished recordings that were made in Ireland and...

Access Note

Collection is open for research.

Recordings have been digitally copied; all original media was retained, but may not be played due to format. Digital use copies can only be accessed in the Burns Library Reading Room.

Scope and Contents From the Collection: This collection contains James W. Smith’s recordings of Boston-area Irish music in the 1950s and 1960s. Using an open-reel tape recorder, Smith recorded musicians at social gatherings in his home in Allston, in homes of musician friends, and in public settings. While most are unpublished recordings, some reels also include published material, such as dubs of LP and 78-rpm records and recordings from radio. The collection also contains unpublished recordings that were made in Ireland and...

Access Note

Collection is open for research.

Recordings have been digitally copied; all original media was retained, but may not be played due to format. Digital use copies can only be accessed in the Burns Library Reading Room.

Scope and Contents From the Collection: This collection contains James W. Smith’s recordings of Boston-area Irish music in the 1950s and 1960s. Using an open-reel tape recorder, Smith recorded musicians at social gatherings in his home in Allston, in homes of musician friends, and in public settings. While most are unpublished recordings, some reels also include published material, such as dubs of LP and 78-rpm records and recordings from radio. The collection also contains unpublished recordings that were made in Ireland and...

Access Note

Collection is open for research.

Recordings have been digitally copied; all original media was retained, but may not be played due to format. Digital use copies can only be accessed in the Burns Library Reading Room.

Scope and Contents From the Collection: This collection contains James W. Smith’s recordings of Boston-area Irish music in the 1950s and 1960s. Using an open-reel tape recorder, Smith recorded musicians at social gatherings in his home in Allston, in homes of musician friends, and in public settings. While most are unpublished recordings, some reels also include published material, such as dubs of LP and 78-rpm records and recordings from radio. The collection also contains unpublished recordings that were made in Ireland and...

Access Note

Collection is open for research.

Recordings have been digitally copied; all original media was retained, but may not be played due to format. Digital use copies can only be accessed in the Burns Library Reading Room.

Scope and Contents From the Collection: This collection contains James W. Smith’s recordings of Boston-area Irish music in the 1950s and 1960s. Using an open-reel tape recorder, Smith recorded musicians at social gatherings in his home in Allston, in homes of musician friends, and in public settings. While most are unpublished recordings, some reels also include published material, such as dubs of LP and 78-rpm records and recordings from radio. The collection also contains unpublished recordings that were made in Ireland and...

Access Note

Collection is open for research.

Recordings have been digitally copied; all original media was retained, but may not be played due to format. Digital use copies can only be accessed in the Burns Library Reading Room.

Scope and Contents From the Collection: This collection contains James W. Smith’s recordings of Boston-area Irish music in the 1950s and 1960s. Using an open-reel tape recorder, Smith recorded musicians at social gatherings in his home in Allston, in homes of musician friends, and in public settings. While most are unpublished recordings, some reels also include published material, such as dubs of LP and 78-rpm records and recordings from radio. The collection also contains unpublished recordings that were made in Ireland and...

Access Note

Collection is open for research.

Recordings have been digitally copied; all original media was retained, but may not be played due to format. Digital use copies can only be accessed in the Burns Library Reading Room.

Scope and Contents From the Collection: This collection contains James W. Smith’s recordings of Boston-area Irish music in the 1950s and 1960s. Using an open-reel tape recorder, Smith recorded musicians at social gatherings in his home in Allston, in homes of musician friends, and in public settings. While most are unpublished recordings, some reels also include published material, such as dubs of LP and 78-rpm records and recordings from radio. The collection also contains unpublished recordings that were made in Ireland and...

Access Note

Collection is open for research.

Recordings have been digitally copied; all original media was retained, but may not be played due to format. Digital use copies can only be accessed in the Burns Library Reading Room.

Scope and Contents From the Collection: This collection contains James W. Smith’s recordings of Boston-area Irish music in the 1950s and 1960s. Using an open-reel tape recorder, Smith recorded musicians at social gatherings in his home in Allston, in homes of musician friends, and in public settings. While most are unpublished recordings, some reels also include published material, such as dubs of LP and 78-rpm records and recordings from radio. The collection also contains unpublished recordings that were made in Ireland and...

Access Note

Collection is open for research.

Recordings have been digitally copied; all original media was retained, but may not be played due to format. Digital use copies can only be accessed in the Burns Library Reading Room.

Scope and Contents From the Collection: This collection contains James W. Smith’s recordings of Boston-area Irish music in the 1950s and 1960s. Using an open-reel tape recorder, Smith recorded musicians at social gatherings in his home in Allston, in homes of musician friends, and in public settings. While most are unpublished recordings, some reels also include published material, such as dubs of LP and 78-rpm records and recordings from radio. The collection also contains unpublished recordings that were made in Ireland and...

Access Note

Collection is open for research.

Recordings have been digitally copied; all original media was retained, but may not be played due to format. Digital use copies can only be accessed in the Burns Library Reading Room.

Scope and Contents From the Collection: This collection contains James W. Smith’s recordings of Boston-area Irish music in the 1950s and 1960s. Using an open-reel tape recorder, Smith recorded musicians at social gatherings in his home in Allston, in homes of musician friends, and in public settings. While most are unpublished recordings, some reels also include published material, such as dubs of LP and 78-rpm records and recordings from radio. The collection also contains unpublished recordings that were made in Ireland and...

Access Note

Collection is open for research.

Recordings have been digitally copied; all original media was retained, but may not be played due to format. Digital use copies can only be accessed in the Burns Library Reading Room.

Scope and Contents From the Collection: This collection contains James W. Smith’s recordings of Boston-area Irish music in the 1950s and 1960s. Using an open-reel tape recorder, Smith recorded musicians at social gatherings in his home in Allston, in homes of musician friends, and in public settings. While most are unpublished recordings, some reels also include published material, such as dubs of LP and 78-rpm records and recordings from radio. The collection also contains unpublished recordings that were made in Ireland and...

Access Note

Collection is open for research.

Recordings have been digitally copied; all original media was retained, but may not be played due to format. Digital use copies can only be accessed in the Burns Library Reading Room.

Scope and Contents From the Collection: This collection contains James W. Smith’s recordings of Boston-area Irish music in the 1950s and 1960s. Using an open-reel tape recorder, Smith recorded musicians at social gatherings in his home in Allston, in homes of musician friends, and in public settings. While most are unpublished recordings, some reels also include published material, such as dubs of LP and 78-rpm records and recordings from radio. The collection also contains unpublished recordings that were made in Ireland and...

Access Note

Collection is open for research.

Recordings have been digitally copied; all original media was retained, but may not be played due to format. Digital use copies can only be accessed in the Burns Library Reading Room.

Scope and Contents From the Collection: This collection contains James W. Smith’s recordings of Boston-area Irish music in the 1950s and 1960s. Using an open-reel tape recorder, Smith recorded musicians at social gatherings in his home in Allston, in homes of musician friends, and in public settings. While most are unpublished recordings, some reels also include published material, such as dubs of LP and 78-rpm records and recordings from radio. The collection also contains unpublished recordings that were made in Ireland and...

Access Note

Collection is open for research.

Recordings have been digitally copied; all original media was retained, but may not be played due to format. Digital use copies can only be accessed in the Burns Library Reading Room.

Scope and Contents From the Collection: This collection contains James W. Smith’s recordings of Boston-area Irish music in the 1950s and 1960s. Using an open-reel tape recorder, Smith recorded musicians at social gatherings in his home in Allston, in homes of musician friends, and in public settings. While most are unpublished recordings, some reels also include published material, such as dubs of LP and 78-rpm records and recordings from radio. The collection also contains unpublished recordings that were made in Ireland and...

Access Note

Collection is open for research.

Recordings have been digitally copied; all original media was retained, but may not be played due to format. Digital use copies can only be accessed in the Burns Library Reading Room.

Scope and Contents From the Collection: This collection contains James W. Smith’s recordings of Boston-area Irish music in the 1950s and 1960s. Using an open-reel tape recorder, Smith recorded musicians at social gatherings in his home in Allston, in homes of musician friends, and in public settings. While most are unpublished recordings, some reels also include published material, such as dubs of LP and 78-rpm records and recordings from radio. The collection also contains unpublished recordings that were made in Ireland and...

Access Note

Collection is open for research.

Recordings have been digitally copied; all original media was retained, but may not be played due to format. Digital use copies can only be accessed in the Burns Library Reading Room.

Scope and Contents From the Collection: This collection contains James W. Smith’s recordings of Boston-area Irish music in the 1950s and 1960s. Using an open-reel tape recorder, Smith recorded musicians at social gatherings in his home in Allston, in homes of musician friends, and in public settings. While most are unpublished recordings, some reels also include published material, such as dubs of LP and 78-rpm records and recordings from radio. The collection also contains unpublished recordings that were made in Ireland and...

Access Note

Collection is open for research.

Recordings have been digitally copied; all original media was retained, but may not be played due to format. Digital use copies can only be accessed in the Burns Library Reading Room.

Scope and Contents From the Collection: This collection contains James W. Smith’s recordings of Boston-area Irish music in the 1950s and 1960s. Using an open-reel tape recorder, Smith recorded musicians at social gatherings in his home in Allston, in homes of musician friends, and in public settings. While most are unpublished recordings, some reels also include published material, such as dubs of LP and 78-rpm records and recordings from radio. The collection also contains unpublished recordings that were made in Ireland and...

Access Note

Collection is open for research.

Recordings have been digitally copied; all original media was retained, but may not be played due to format. Digital use copies can only be accessed in the Burns Library Reading Room.

Scope and Contents From the Collection: This collection contains James W. Smith’s recordings of Boston-area Irish music in the 1950s and 1960s. Using an open-reel tape recorder, Smith recorded musicians at social gatherings in his home in Allston, in homes of musician friends, and in public settings. While most are unpublished recordings, some reels also include published material, such as dubs of LP and 78-rpm records and recordings from radio. The collection also contains unpublished recordings that were made in Ireland and...

Access Note

Collection is open for research.

Recordings have been digitally copied; all original media was retained, but may not be played due to format. Digital use copies can only be accessed in the Burns Library Reading Room.

Scope and Contents From the Collection: This collection contains James W. Smith’s recordings of Boston-area Irish music in the 1950s and 1960s. Using an open-reel tape recorder, Smith recorded musicians at social gatherings in his home in Allston, in homes of musician friends, and in public settings. While most are unpublished recordings, some reels also include published material, such as dubs of LP and 78-rpm records and recordings from radio. The collection also contains unpublished recordings that were made in Ireland and...

Access Note

Collection is open for research.

Recordings have been digitally copied; all original media was retained, but may not be played due to format. Digital use copies can only be accessed in the Burns Library Reading Room.

Scope and Contents From the Collection: This collection contains James W. Smith’s recordings of Boston-area Irish music in the 1950s and 1960s. Using an open-reel tape recorder, Smith recorded musicians at social gatherings in his home in Allston, in homes of musician friends, and in public settings. While most are unpublished recordings, some reels also include published material, such as dubs of LP and 78-rpm records and recordings from radio. The collection also contains unpublished recordings that were made in Ireland and...

Access Note

Collection is open for research.

Recordings have been digitally copied; all original media was retained, but may not be played due to format. Digital use copies can only be accessed in the Burns Library Reading Room.

Scope and Contents From the Collection: This collection contains James W. Smith’s recordings of Boston-area Irish music in the 1950s and 1960s. Using an open-reel tape recorder, Smith recorded musicians at social gatherings in his home in Allston, in homes of musician friends, and in public settings. While most are unpublished recordings, some reels also include published material, such as dubs of LP and 78-rpm records and recordings from radio. The collection also contains unpublished recordings that were made in Ireland and...

Access Note

Collection is open for research.

Recordings have been digitally copied; all original media was retained, but may not be played due to format. Digital use copies can only be accessed in the Burns Library Reading Room.

Scope and Contents From the Collection: This collection contains James W. Smith’s recordings of Boston-area Irish music in the 1950s and 1960s. Using an open-reel tape recorder, Smith recorded musicians at social gatherings in his home in Allston, in homes of musician friends, and in public settings. While most are unpublished recordings, some reels also include published material, such as dubs of LP and 78-rpm records and recordings from radio. The collection also contains unpublished recordings that were made in Ireland and...

Access Note

Collection is open for research.

Recordings have been digitally copied; all original media was retained, but may not be played due to format. Digital use copies can only be accessed in the Burns Library Reading Room.

Scope and Contents From the Collection: This collection contains James W. Smith’s recordings of Boston-area Irish music in the 1950s and 1960s. Using an open-reel tape recorder, Smith recorded musicians at social gatherings in his home in Allston, in homes of musician friends, and in public settings. While most are unpublished recordings, some reels also include published material, such as dubs of LP and 78-rpm records and recordings from radio. The collection also contains unpublished recordings that were made in Ireland and...

Access Note

Collection is open for research.

Recordings have been digitally copied; all original media was retained, but may not be played due to format. Digital use copies can only be accessed in the Burns Library Reading Room.

Scope and Contents From the Collection: This collection contains James W. Smith’s recordings of Boston-area Irish music in the 1950s and 1960s. Using an open-reel tape recorder, Smith recorded musicians at social gatherings in his home in Allston, in homes of musician friends, and in public settings. While most are unpublished recordings, some reels also include published material, such as dubs of LP and 78-rpm records and recordings from radio. The collection also contains unpublished recordings that were made in Ireland and...

Access Note

Collection is open for research.

Recordings have been digitally copied; all original media was retained, but may not be played due to format. Digital use copies can only be accessed in the Burns Library Reading Room.

Scope and Contents From the Collection: This collection contains James W. Smith’s recordings of Boston-area Irish music in the 1950s and 1960s. Using an open-reel tape recorder, Smith recorded musicians at social gatherings in his home in Allston, in homes of musician friends, and in public settings. While most are unpublished recordings, some reels also include published material, such as dubs of LP and 78-rpm records and recordings from radio. The collection also contains unpublished recordings that were made in Ireland and...

Access Note

Collection is open for research.

Recordings have been digitally copied; all original media was retained, but may not be played due to format. Digital use copies can only be accessed in the Burns Library Reading Room.