Box 1
Contains 95 Results:
"Cantet Nunc Io" (P75), three printings from the same block, two signed. One includes the text "cantet nunc io," one is without text, and the third includes "Christmas Greetings", 1916
Contains prints, sometimes supplemented with preparatory sketches for the engravings. Gill's engravings were often designed to illustrate fine print publications, and they frequently were also re-used in later publications. These printings are copies made as proofs or limited-edition prints of the image independent of its us in publication.
Collection is open for research.
"Madonna and Child with Chalice" (P76), proof with text "December, Christmas Day", 1916
Contains prints, sometimes supplemented with preparatory sketches for the engravings. Gill's engravings were often designed to illustrate fine print publications, and they frequently were also re-used in later publications. These printings are copies made as proofs or limited-edition prints of the image independent of its us in publication.
Collection is open for research.
"Nativity in Cave" (P79), print with text "A Happy Christmas", 1916
Contains prints, sometimes supplemented with preparatory sketches for the engravings. Gill's engravings were often designed to illustrate fine print publications, and they frequently were also re-used in later publications. These printings are copies made as proofs or limited-edition prints of the image independent of its us in publication.
Collection is open for research.
"Christmas Gifts: Dawn" (P81), print, 1916
Contains prints, sometimes supplemented with preparatory sketches for the engravings. Gill's engravings were often designed to illustrate fine print publications, and they frequently were also re-used in later publications. These printings are copies made as proofs or limited-edition prints of the image independent of its us in publication.
Collection is open for research.
"Madonna and Child, with Gallows" (P82), three prints: one proof of just the image block, one with text "Happy Christmas," and one signed fair copy of just the image, 1916 - 1917
Contains prints, sometimes supplemented with preparatory sketches for the engravings. Gill's engravings were often designed to illustrate fine print publications, and they frequently were also re-used in later publications. These printings are copies made as proofs or limited-edition prints of the image independent of its us in publication.
Collection is open for research.
"Christmas Gifts" (P83), signed print, 1917
Contains prints, sometimes supplemented with preparatory sketches for the engravings. Gill's engravings were often designed to illustrate fine print publications, and they frequently were also re-used in later publications. These printings are copies made as proofs or limited-edition prints of the image independent of its us in publication.
Collection is open for research.
"Adam and Eve" (P87), print, 1917
Contains prints, sometimes supplemented with preparatory sketches for the engravings. Gill's engravings were often designed to illustrate fine print publications, and they frequently were also re-used in later publications. These printings are copies made as proofs or limited-edition prints of the image independent of its us in publication.
Collection is open for research.
"The Resurrection (2nd State)" (P91), signed proof with note "trial p, artist's proof print - corrected block", 1917
Contains prints, sometimes supplemented with preparatory sketches for the engravings. Gill's engravings were often designed to illustrate fine print publications, and they frequently were also re-used in later publications. These printings are copies made as proofs or limited-edition prints of the image independent of its us in publication.
Collection is open for research.
"II. Jesus Receives His Cross," pencil drawing, 1939 or 1940
Drawings are preparatory works for Gill's engraving and sculpting. Of note are his series of plans for the Stations of the Cross carvings for St. Albans Church, Oxford, some of which were incomplete at the time of Gill's death and were subsequently finished by another artist.
Collection is open for research.
"III. He Falls the First Time" pencil drawing, 1939 May 12
Drawings are preparatory works for Gill's engraving and sculpting. Of note are his series of plans for the Stations of the Cross carvings for St. Albans Church, Oxford, some of which were incomplete at the time of Gill's death and were subsequently finished by another artist.
Collection is open for research.
"VI. Veronica Comforts Him," five pencil drawings, 1940 January
Drawings are preparatory works for Gill's engraving and sculpting. Of note are his series of plans for the Stations of the Cross carvings for St. Albans Church, Oxford, some of which were incomplete at the time of Gill's death and were subsequently finished by another artist.
Collection is open for research.
"VII. He Falls a Second Time," two pencil drawings, 1939 or 1940
Drawings are preparatory works for Gill's engraving and sculpting. Of note are his series of plans for the Stations of the Cross carvings for St. Albans Church, Oxford, some of which were incomplete at the time of Gill's death and were subsequently finished by another artist.
Collection is open for research.
"VIII. He Speaks to the Women" two drawings, 1939 or 1940
Drawings are preparatory works for Gill's engraving and sculpting. Of note are his series of plans for the Stations of the Cross carvings for St. Albans Church, Oxford, some of which were incomplete at the time of Gill's death and were subsequently finished by another artist.
Collection is open for research.
"IX. He Falls the Third Time," three pencil drawings (one is a stencil with perforations) by "TD", 1943-1944
Drawings are preparatory works for Gill's engraving and sculpting. Of note are his series of plans for the Stations of the Cross carvings for St. Albans Church, Oxford, some of which were incomplete at the time of Gill's death and were subsequently finished by another artist.
Collection is open for research.
"X. He is Stripped of His Garments," pencil drawing by "TD", 1943 May 11
Drawings are preparatory works for Gill's engraving and sculpting. Of note are his series of plans for the Stations of the Cross carvings for St. Albans Church, Oxford, some of which were incomplete at the time of Gill's death and were subsequently finished by another artist.
Collection is open for research.
"XI. He is Nailed to the Cross," pencil drawing, probably 1943 or 1944
Drawings are preparatory works for Gill's engraving and sculpting. Of note are his series of plans for the Stations of the Cross carvings for St. Albans Church, Oxford, some of which were incomplete at the time of Gill's death and were subsequently finished by another artist.
Collection is open for research.
"XII. Jesus Dies on the Cross," three pencil drawings, 1940
Drawings are preparatory works for Gill's engraving and sculpting. Of note are his series of plans for the Stations of the Cross carvings for St. Albans Church, Oxford, some of which were incomplete at the time of Gill's death and were subsequently finished by another artist.
Collection is open for research.
"Spray of Leaves" (P108), signed artist's proof, 1917
Contains prints, sometimes supplemented with preparatory sketches for the engravings. Gill's engravings were often designed to illustrate fine print publications, and they frequently were also re-used in later publications. These printings are copies made as proofs or limited-edition prints of the image independent of its us in publication.
Collection is open for research.
"Stalk with Leaves" (P109), print annotated "102", 1917
Contains prints, sometimes supplemented with preparatory sketches for the engravings. Gill's engravings were often designed to illustrate fine print publications, and they frequently were also re-used in later publications. These printings are copies made as proofs or limited-edition prints of the image independent of its us in publication.
Collection is open for research.
"Initial Letter O with Speedwell" (P110), print annotated "103", 1917
Contains prints, sometimes supplemented with preparatory sketches for the engravings. Gill's engravings were often designed to illustrate fine print publications, and they frequently were also re-used in later publications. These printings are copies made as proofs or limited-edition prints of the image independent of its us in publication.
Collection is open for research.
"The Holy Face" (P111), signed print, 1917
Contains prints, sometimes supplemented with preparatory sketches for the engravings. Gill's engravings were often designed to illustrate fine print publications, and they frequently were also re-used in later publications. These printings are copies made as proofs or limited-edition prints of the image independent of its us in publication.
Collection is open for research.
"Axe and Block" (P135), print, 1917
Contains prints, sometimes supplemented with preparatory sketches for the engravings. Gill's engravings were often designed to illustrate fine print publications, and they frequently were also re-used in later publications. These printings are copies made as proofs or limited-edition prints of the image independent of its us in publication.
Collection is open for research.
"Flower" (P139) and "Crown of Thorns" (P252), proofs glued to a sheet of cardstock, 1918, 1923
Contains prints, sometimes supplemented with preparatory sketches for the engravings. Gill's engravings were often designed to illustrate fine print publications, and they frequently were also re-used in later publications. These printings are copies made as proofs or limited-edition prints of the image independent of its us in publication.
Collection is open for research.
"Ascension" (P140), pencil drawing and print, 1918
Contains prints, sometimes supplemented with preparatory sketches for the engravings. Gill's engravings were often designed to illustrate fine print publications, and they frequently were also re-used in later publications. These printings are copies made as proofs or limited-edition prints of the image independent of its us in publication.
Collection is open for research.
"Madonna and Child in Vesica" (P143), signed print, 1921
Contains prints, sometimes supplemented with preparatory sketches for the engravings. Gill's engravings were often designed to illustrate fine print publications, and they frequently were also re-used in later publications. These printings are copies made as proofs or limited-edition prints of the image independent of its us in publication.
Collection is open for research.