Box 1
Contains 95 Results:
"Penny Pie" (P144), print, 1918
Contains prints, sometimes supplemented with preparatory sketches for the engravings. Gill's engravings were often designed to illustrate fine print publications, and they frequently were also re-used in later publications. These printings are copies made as proofs or limited-edition prints of the image independent of its us in publication.
Collection is open for research.
"S D P and Cross" (P145), proof of an imprint for St. Dominic's Press, 1918
Contains prints, sometimes supplemented with preparatory sketches for the engravings. Gill's engravings were often designed to illustrate fine print publications, and they frequently were also re-used in later publications. These printings are copies made as proofs or limited-edition prints of the image independent of its us in publication.
Collection is open for research.
"Welsh Dragon" (P150), print, 1919
Contains prints, sometimes supplemented with preparatory sketches for the engravings. Gill's engravings were often designed to illustrate fine print publications, and they frequently were also re-used in later publications. These printings are copies made as proofs or limited-edition prints of the image independent of its us in publication.
Collection is open for research.
"Angel Blowing Horn" (not in Physick), signed print, 1920
Contains prints, sometimes supplemented with preparatory sketches for the engravings. Gill's engravings were often designed to illustrate fine print publications, and they frequently were also re-used in later publications. These printings are copies made as proofs or limited-edition prints of the image independent of its us in publication.
Collection is open for research.
"Hottentot" (P172), print, 1920
Contains prints, sometimes supplemented with preparatory sketches for the engravings. Gill's engravings were often designed to illustrate fine print publications, and they frequently were also re-used in later publications. These printings are copies made as proofs or limited-edition prints of the image independent of its us in publication.
Collection is open for research.
"Clare" (P196), print, 1922
Contains prints, sometimes supplemented with preparatory sketches for the engravings. Gill's engravings were often designed to illustrate fine print publications, and they frequently were also re-used in later publications. These printings are copies made as proofs or limited-edition prints of the image independent of its us in publication.
Collection is open for research.
"Sacred Heart with Arrows" (P253), print, 1923
Contains prints, sometimes supplemented with preparatory sketches for the engravings. Gill's engravings were often designed to illustrate fine print publications, and they frequently were also re-used in later publications. These printings are copies made as proofs or limited-edition prints of the image independent of its us in publication.
Collection is open for research.
"Elizabeth Gill" (P279) and one unidentified work, both portrait profile drawings, pencil with ink, 1924
Contains prints, sometimes supplemented with preparatory sketches for the engravings. Gill's engravings were often designed to illustrate fine print publications, and they frequently were also re-used in later publications. These printings are copies made as proofs or limited-edition prints of the image independent of its us in publication.
Collection is open for research.
"Madonna and Child" (P343), signed numbered print 81/100, noted on back "after a design by Joanna Gill", 1925
Contains prints, sometimes supplemented with preparatory sketches for the engravings. Gill's engravings were often designed to illustrate fine print publications, and they frequently were also re-used in later publications. These printings are copies made as proofs or limited-edition prints of the image independent of its us in publication.
Collection is open for research.
"Child in Manger" (P344), signed numbered print 98/100, noted on back "after a drawing by Petra Gill", 1925
Contains prints, sometimes supplemented with preparatory sketches for the engravings. Gill's engravings were often designed to illustrate fine print publications, and they frequently were also re-used in later publications. These printings are copies made as proofs or limited-edition prints of the image independent of its us in publication.
Collection is open for research.
"Earth Receiving" (P363), two prints, one signed and numbered 2/3, 1926
Contains prints, sometimes supplemented with preparatory sketches for the engravings. Gill's engravings were often designed to illustrate fine print publications, and they frequently were also re-used in later publications. These printings are copies made as proofs or limited-edition prints of the image independent of its us in publication.
Collection is open for research.
"Woman with Balloons" (P387), signed numbered print 17/25, 1926
Contains prints, sometimes supplemented with preparatory sketches for the engravings. Gill's engravings were often designed to illustrate fine print publications, and they frequently were also re-used in later publications. These printings are copies made as proofs or limited-edition prints of the image independent of its us in publication.
Collection is open for research.
"Woman Bending" first state (no Physick) signed numbered print 15/15, and second state (P388) signed numbered print 2/25, 1926
Contains prints, sometimes supplemented with preparatory sketches for the engravings. Gill's engravings were often designed to illustrate fine print publications, and they frequently were also re-used in later publications. These printings are copies made as proofs or limited-edition prints of the image independent of its us in publication.
Collection is open for research.
"Nativity" third state (P479), signed numbered print 3/25, 1927
Contains prints, sometimes supplemented with preparatory sketches for the engravings. Gill's engravings were often designed to illustrate fine print publications, and they frequently were also re-used in later publications. These printings are copies made as proofs or limited-edition prints of the image independent of its us in publication.
Collection is open for research.
"Child with Letter T as Crucifix" (P487), print that includes text "The Word Was Made Flesh", 1927
Contains prints, sometimes supplemented with preparatory sketches for the engravings. Gill's engravings were often designed to illustrate fine print publications, and they frequently were also re-used in later publications. These printings are copies made as proofs or limited-edition prints of the image independent of its us in publication.
Collection is open for research.
"Angel Holding a Book" (P501), bookplate for Elisabeth Foster and Arthur Graham Carey, three prints, one of which is signed, 1928, undated
This file also contains two Carey family bookplates not designed by Gill.
Collection is open for research.
"Spray of Seven Leaves and Flower Bud" (P509) and "Woman Climbing Floreated Phallus" (P510) two borders on a single sheet, signed numbered print 10/10, 1928
Contains prints, sometimes supplemented with preparatory sketches for the engravings. Gill's engravings were often designed to illustrate fine print publications, and they frequently were also re-used in later publications. These printings are copies made as proofs or limited-edition prints of the image independent of its us in publication.
Collection is open for research.
"Man Waving Eight-Leaved Spray" (P529) and "Man Waving Ten-Leaved Spray" (P530), two borders on a single sheet, signed numbered print 10/10, 1928
Contains prints, sometimes supplemented with preparatory sketches for the engravings. Gill's engravings were often designed to illustrate fine print publications, and they frequently were also re-used in later publications. These printings are copies made as proofs or limited-edition prints of the image independent of its us in publication.
Collection is open for research.
"Youth Blowing Kiss" (P531) and "Girl All Agog" (P532), two borders on a single sheet, signed and numbered 10/10, 1928
Contains prints, sometimes supplemented with preparatory sketches for the engravings. Gill's engravings were often designed to illustrate fine print publications, and they frequently were also re-used in later publications. These printings are copies made as proofs or limited-edition prints of the image independent of its us in publication.
Collection is open for research.
"The Prioress's Tale" (P588), signed numbered print "USA 3/5", 1929
Contains prints, sometimes supplemented with preparatory sketches for the engravings. Gill's engravings were often designed to illustrate fine print publications, and they frequently were also re-used in later publications. These printings are copies made as proofs or limited-edition prints of the image independent of its us in publication.
Collection is open for research.
"Ecce Tu Pulchra Es" (P614) final state, signed numbered print "USA 5/12", 1929
Contains prints, sometimes supplemented with preparatory sketches for the engravings. Gill's engravings were often designed to illustrate fine print publications, and they frequently were also re-used in later publications. These printings are copies made as proofs or limited-edition prints of the image independent of its us in publication.
Collection is open for research.
"Belle Sauvage IV" (P623), signed numbered print 8/25, 1929
Contains prints, sometimes supplemented with preparatory sketches for the engravings. Gill's engravings were often designed to illustrate fine print publications, and they frequently were also re-used in later publications. These printings are copies made as proofs or limited-edition prints of the image independent of its us in publication.
Collection is open for research.
"Sculpture, No. 1" (P628), signed numbered print 9/10, 1930
Contains prints, sometimes supplemented with preparatory sketches for the engravings. Gill's engravings were often designed to illustrate fine print publications, and they frequently were also re-used in later publications. These printings are copies made as proofs or limited-edition prints of the image independent of its us in publication.
Collection is open for research.
"Death at Foot of Tree" (P632) and "Three Men Hanged" (P633), two borders on one sheet, signed numbered print 5/5, 1930
Contains prints, sometimes supplemented with preparatory sketches for the engravings. Gill's engravings were often designed to illustrate fine print publications, and they frequently were also re-used in later publications. These printings are copies made as proofs or limited-edition prints of the image independent of its us in publication.
Collection is open for research.
"Naked Girl in Spray" (P638, 639), two borders on one sheet, signed numbered print 5/5, 1930
Contains prints, sometimes supplemented with preparatory sketches for the engravings. Gill's engravings were often designed to illustrate fine print publications, and they frequently were also re-used in later publications. These printings are copies made as proofs or limited-edition prints of the image independent of its us in publication.
Collection is open for research.