Box 1
Contains 95 Results:
"Girl in Spray, Black Petticoat" (P640) and "Young Man in Spray, Black Petticoat" (P641), two borders on one sheet, signed numbered print 5/5, 1930
Contains prints, sometimes supplemented with preparatory sketches for the engravings. Gill's engravings were often designed to illustrate fine print publications, and they frequently were also re-used in later publications. These printings are copies made as proofs or limited-edition prints of the image independent of its us in publication.
Collection is open for research.
"Blind Old Man at Foot of Tree" (P644) and "Young Wife Looking Up to Lover in Tree" (P645), two borders on one sheet, proof and signed numbered print 5/5, 1930
Contains prints, sometimes supplemented with preparatory sketches for the engravings. Gill's engravings were often designed to illustrate fine print publications, and they frequently were also re-used in later publications. These printings are copies made as proofs or limited-edition prints of the image independent of its us in publication.
Collection is open for research.
"Naked Girl in Spray" (P646, 647), two borders on one sheet, signed numbered print 5/5, 1930
Contains prints, sometimes supplemented with preparatory sketches for the engravings. Gill's engravings were often designed to illustrate fine print publications, and they frequently were also re-used in later publications. These printings are copies made as proofs or limited-edition prints of the image independent of its us in publication.
Collection is open for research.
"Wife of Baths Tale: Prologue" (P650), signed numbered print 3/10, 1930
Contains prints, sometimes supplemented with preparatory sketches for the engravings. Gill's engravings were often designed to illustrate fine print publications, and they frequently were also re-used in later publications. These printings are copies made as proofs or limited-edition prints of the image independent of its us in publication.
Collection is open for research.
"The Summoner's Tale" (P654), proof with partial proof of another print on the verso, 1930
Contains prints, sometimes supplemented with preparatory sketches for the engravings. Gill's engravings were often designed to illustrate fine print publications, and they frequently were also re-used in later publications. These printings are copies made as proofs or limited-edition prints of the image independent of its us in publication.
Collection is open for research.
"The Merchant's Tale" (P657), signed numbered print 10/10, 1930
Contains prints, sometimes supplemented with preparatory sketches for the engravings. Gill's engravings were often designed to illustrate fine print publications, and they frequently were also re-used in later publications. These printings are copies made as proofs or limited-edition prints of the image independent of its us in publication.
Collection is open for research.
"Boy About to Climb Tree" (P658), signed numbered print 2/5, 1930
Contains prints, sometimes supplemented with preparatory sketches for the engravings. Gill's engravings were often designed to illustrate fine print publications, and they frequently were also re-used in later publications. These printings are copies made as proofs or limited-edition prints of the image independent of its us in publication.
Collection is open for research.
"Bird on Bough with Parson's Hat On" (P687) and "Frightened Young Man with What He Wanted in a Cage" (P688), two borders on one sheet, signed numbered print 5/5, 1930
Contains prints, sometimes supplemented with preparatory sketches for the engravings. Gill's engravings were often designed to illustrate fine print publications, and they frequently were also re-used in later publications. These printings are copies made as proofs or limited-edition prints of the image independent of its us in publication.
Collection is open for research.
"Clothes for Special Parts" (P718), signed numbered print 9/10, 1930
Contains prints, sometimes supplemented with preparatory sketches for the engravings. Gill's engravings were often designed to illustrate fine print publications, and they frequently were also re-used in later publications. These printings are copies made as proofs or limited-edition prints of the image independent of its us in publication.
Collection is open for research.
"Tree and Dog with Flames" (P759), press mark for Piggots Press, print, 1931
Contains prints, sometimes supplemented with preparatory sketches for the engravings. Gill's engravings were often designed to illustrate fine print publications, and they frequently were also re-used in later publications. These printings are copies made as proofs or limited-edition prints of the image independent of its us in publication.
Collection is open for research.
"Vesica" (P465), "Devil's Serpent" (P466), and "Initial Letter A" (P767), three initial letters used in The Four Gospels, signed numbered print 8/10, 1931
Contains prints, sometimes supplemented with preparatory sketches for the engravings. Gill's engravings were often designed to illustrate fine print publications, and they frequently were also re-used in later publications. These printings are copies made as proofs or limited-edition prints of the image independent of its us in publication.
Collection is open for research.
"Christ and the Leper" (P769) used in The Four Gospels, signed numbered print 9/10, 1931
Contains prints, sometimes supplemented with preparatory sketches for the engravings. Gill's engravings were often designed to illustrate fine print publications, and they frequently were also re-used in later publications. These printings are copies made as proofs or limited-edition prints of the image independent of its us in publication.
Collection is open for research.
"Hamlet and the Ghost" (P833) for Hamlet Prince of Demark, signed print with note "proof for David", 1932
Contains prints, sometimes supplemented with preparatory sketches for the engravings. Gill's engravings were often designed to illustrate fine print publications, and they frequently were also re-used in later publications. These printings are copies made as proofs or limited-edition prints of the image independent of its us in publication.
Collection is open for research.
"Hamlet" (P838), title page for Hamlet Prince of Demark, signed numbered print 7/25, 1932
Contains prints, sometimes supplemented with preparatory sketches for the engravings. Gill's engravings were often designed to illustrate fine print publications, and they frequently were also re-used in later publications. These printings are copies made as proofs or limited-edition prints of the image independent of its us in publication.
Collection is open for research.
"The Play Scene" (P845) for Hamlet Prince of Demark, signed numbered print 14/15, 1932
Contains prints, sometimes supplemented with preparatory sketches for the engravings. Gill's engravings were often designed to illustrate fine print publications, and they frequently were also re-used in later publications. These printings are copies made as proofs or limited-edition prints of the image independent of its us in publication.
Collection is open for research.
"I am set naked on your kingdom" (P846) for Hamlet Prince of Demark, signed print with note "for David", 1932
Contains prints, sometimes supplemented with preparatory sketches for the engravings. Gill's engravings were often designed to illustrate fine print publications, and they frequently were also re-used in later publications. These printings are copies made as proofs or limited-edition prints of the image independent of its us in publication.
Collection is open for research.
Christ, pencil, undated
Drawings are preparatory works for Gill's engraving and sculpting. Of note are his series of plans for the Stations of the Cross carvings for St. Albans Church, Oxford, some of which were incomplete at the time of Gill's death and were subsequently finished by another artist.
Collection is open for research.
Christ on Cross, pencil, undated
Drawings are preparatory works for Gill's engraving and sculpting. Of note are his series of plans for the Stations of the Cross carvings for St. Albans Church, Oxford, some of which were incomplete at the time of Gill's death and were subsequently finished by another artist.
Collection is open for research.
Female nudes, two studies, pencil, approximately 1934
Drawings are preparatory works for Gill's engraving and sculpting. Of note are his series of plans for the Stations of the Cross carvings for St. Albans Church, Oxford, some of which were incomplete at the time of Gill's death and were subsequently finished by another artist.
Collection is open for research.
Mother and Child, study for a carving, pencil, approximately 1920
Drawings are preparatory works for Gill's engraving and sculpting. Of note are his series of plans for the Stations of the Cross carvings for St. Albans Church, Oxford, some of which were incomplete at the time of Gill's death and were subsequently finished by another artist.
Collection is open for research.