Box 2
Contains 55 Results:
"Babe on Bough" (P874), signed numbered print 20/20, 1934
Contains prints, sometimes supplemented with preparatory sketches for the engravings. Gill's engravings were often designed to illustrate fine print publications, and they frequently were also re-used in later publications. These printings are copies made as proofs or limited-edition prints of the image independent of its us in publication.
Collection is open for research.
"Eve" (P885), bookplate for Jacob Weiss, two prints, one signed and numbered 4/10, 1935
Contains prints, sometimes supplemented with preparatory sketches for the engravings. Gill's engravings were often designed to illustrate fine print publications, and they frequently were also re-used in later publications. These printings are copies made as proofs or limited-edition prints of the image independent of its us in publication.
Collection is open for research.
"Christmas Card for Eric and Mary Gill" (P896), two prints, 1935
Contains prints, sometimes supplemented with preparatory sketches for the engravings. Gill's engravings were often designed to illustrate fine print publications, and they frequently were also re-used in later publications. These printings are copies made as proofs or limited-edition prints of the image independent of its us in publication.
Collection is open for research.
"The Green Ship" (P898, 899) double title-page for The Green Ship, a proof of each page plus an additional signed numbered print (10/12) of 899, 1936
Contains prints, sometimes supplemented with preparatory sketches for the engravings. Gill's engravings were often designed to illustrate fine print publications, and they frequently were also re-used in later publications. These printings are copies made as proofs or limited-edition prints of the image independent of its us in publication.
Collection is open for research.
"Man Swimming" (P900) for The Green Ship, one proof and one signed numbered print 10/12, 1936
Contains prints, sometimes supplemented with preparatory sketches for the engravings. Gill's engravings were often designed to illustrate fine print publications, and they frequently were also re-used in later publications. These printings are copies made as proofs or limited-edition prints of the image independent of its us in publication.
Collection is open for research.
"Woman Asleep" (P901) for The Green Ship, one proof and one signed numbered print 10/12, 1936
Contains prints, sometimes supplemented with preparatory sketches for the engravings. Gill's engravings were often designed to illustrate fine print publications, and they frequently were also re-used in later publications. These printings are copies made as proofs or limited-edition prints of the image independent of its us in publication.
Collection is open for research.
"Mr. Scribner" (P902) for The Green Ship, one proof and one signed numbered print 10/12, 1936
Contains prints, sometimes supplemented with preparatory sketches for the engravings. Gill's engravings were often designed to illustrate fine print publications, and they frequently were also re-used in later publications. These printings are copies made as proofs or limited-edition prints of the image independent of its us in publication.
Collection is open for research.
"Woman Diving" (P903) for The Green Ship, signed numbered print 10/12, 1936
Contains prints, sometimes supplemented with preparatory sketches for the engravings. Gill's engravings were often designed to illustrate fine print publications, and they frequently were also re-used in later publications. These printings are copies made as proofs or limited-edition prints of the image independent of its us in publication.
Collection is open for research.
"Mr. Brown" (P904) for The Green Ship, one proof and one signed numbered print 10/12, 1936
Contains prints, sometimes supplemented with preparatory sketches for the engravings. Gill's engravings were often designed to illustrate fine print publications, and they frequently were also re-used in later publications. These printings are copies made as proofs or limited-edition prints of the image independent of its us in publication.
Collection is open for research.
"The Dying Patriot" (P905) for The Green Ship, one proof and one signed numbered print 9/12, 1936
Contains prints, sometimes supplemented with preparatory sketches for the engravings. Gill's engravings were often designed to illustrate fine print publications, and they frequently were also re-used in later publications. These printings are copies made as proofs or limited-edition prints of the image independent of its us in publication.
Collection is open for research.
"Woman Looking Through Foliage" (P907), bookplate for Samuel Kahn, signed proof, 1936
Contains prints, sometimes supplemented with preparatory sketches for the engravings. Gill's engravings were often designed to illustrate fine print publications, and they frequently were also re-used in later publications. These printings are copies made as proofs or limited-edition prints of the image independent of its us in publication.
Collection is open for research.
"Christ Seated" (P918), signed print, 1936
Contains prints, sometimes supplemented with preparatory sketches for the engravings. Gill's engravings were often designed to illustrate fine print publications, and they frequently were also re-used in later publications. These printings are copies made as proofs or limited-edition prints of the image independent of its us in publication.
Collection is open for research.
"Rahere" (P964), proof of limited edition and print 47/100, 1937
Contains prints, sometimes supplemented with preparatory sketches for the engravings. Gill's engravings were often designed to illustrate fine print publications, and they frequently were also re-used in later publications. These printings are copies made as proofs or limited-edition prints of the image independent of its us in publication.
Collection is open for research.
"At the Round Earth's Imagin'd Corners" (P977), two signed numbered prints, 6/15 and 15/15, 1938
Contains prints, sometimes supplemented with preparatory sketches for the engravings. Gill's engravings were often designed to illustrate fine print publications, and they frequently were also re-used in later publications. These printings are copies made as proofs or limited-edition prints of the image independent of its us in publication.
Collection is open for research.
"Man and Woman Embracing" (P979), signed numbered print 17/20, 1938
Contains prints, sometimes supplemented with preparatory sketches for the engravings. Gill's engravings were often designed to illustrate fine print publications, and they frequently were also re-used in later publications. These printings are copies made as proofs or limited-edition prints of the image independent of its us in publication.
Collection is open for research.
"Moneychangers" (P983), signed numbered print 5/15, 1938
Contains prints, sometimes supplemented with preparatory sketches for the engravings. Gill's engravings were often designed to illustrate fine print publications, and they frequently were also re-used in later publications. These printings are copies made as proofs or limited-edition prints of the image independent of its us in publication.
Collection is open for research.
"Dove with Olive, League of Nations Union Stamp" (P986), print and photoreproduction of print with Gill's notes, 1939
Contains prints, sometimes supplemented with preparatory sketches for the engravings. Gill's engravings were often designed to illustrate fine print publications, and they frequently were also re-used in later publications. These printings are copies made as proofs or limited-edition prints of the image independent of its us in publication.
Collection is open for research.
Inscription over doorway at Ablington Manor, pencil, undated
This series consists of Gill’s original artwork, including engravings and proofs, sketches, rubbings of carvings, woodcut printing blocks, and letterwork. Subjects include biblical, mythical, literary, and pastoral scenes, as well as portraits and still lives.
Collection is open for research.
Stone ledger in Jevington Churchyard, pencil, 1911 - 1911
This series consists of Gill’s original artwork, including engravings and proofs, sketches, rubbings of carvings, woodcut printing blocks, and letterwork. Subjects include biblical, mythical, literary, and pastoral scenes, as well as portraits and still lives.
Collection is open for research.
Five-line capital letter designs intended for use in the Ashendene Press edition of Thomas More's Utopia, pen and ink on paper (19 letters), 1906
This series consists of Gill’s original artwork, including engravings and proofs, sketches, rubbings of carvings, woodcut printing blocks, and letterwork. Subjects include biblical, mythical, literary, and pastoral scenes, as well as portraits and still lives.
Collection is open for research.
Adeste Fideles: A Christmas Hymn (P72-76), unrecorded reissue of the booklet, 1919
Includes short works from fine print presses that contain Gill engravings: booklets, broadsides, business cards, calendars, Christmas cards, leaflets, and pamphlets. Physick numbers for the images used in these works have been listed where known, to facilitate comparison to the engravings and printing blocks in Series I.
Collection is open for research.
The Apostles Calendar, 1933
Includes short works from fine print presses that contain Gill engravings: booklets, broadsides, business cards, calendars, Christmas cards, leaflets, and pamphlets. Physick numbers for the images used in these works have been listed where known, to facilitate comparison to the engravings and printing blocks in Series I.
Collection is open for research.
Autumn Midnight by Frances Cornford, booklet, 1923
Includes short works from fine print presses that contain Gill engravings: booklets, broadsides, business cards, calendars, Christmas cards, leaflets, and pamphlets. Physick numbers for the images used in these works have been listed where known, to facilitate comparison to the engravings and printing blocks in Series I.
Collection is open for research.
Broad sheet No. 1 "The Dressmaker", 1920
Includes short works from fine print presses that contain Gill engravings: booklets, broadsides, business cards, calendars, Christmas cards, leaflets, and pamphlets. Physick numbers for the images used in these works have been listed where known, to facilitate comparison to the engravings and printing blocks in Series I.
Collection is open for research.
Broad sheet No. 2 "A Carol" (P82), 1920
Includes short works from fine print presses that contain Gill engravings: booklets, broadsides, business cards, calendars, Christmas cards, leaflets, and pamphlets. Physick numbers for the images used in these works have been listed where known, to facilitate comparison to the engravings and printing blocks in Series I.
Collection is open for research.