Scope and Contents

The last two of the five recordings (148089-0003 and 148089-0004) each contain some content from October 8th events. It appears that the original October 8 recordings were mostly recorded over during the October 10th Masters Concerts. The last five minutes of 148089-0003 is the October 8th New England Contra Dancing event, and 148089-0004 contains more New England Contra Dancing followed by Cape Breton Set Dancing (see "Irish Sets and Ceili Dancing" for the continuation of this event).

Access Note Collection is open for research. Audiovisual recordings have been digitally copied; all original media were retained, but may not be played due to format. Multitrack audio recordings (DTRS and ADAT) cannot be reformatted by Burns Library at this time and are not available for playback due to format impermanence. In a few instances for which audio was exclusively recorded in one of these formats, migration was outsourced.Original digital text and image files in this...

Scope and Contents From the Sub-Series:

Audiovisual recordings of performances and sessions by Irish dancers, musicians, and storytellers, many of whom were members of Comhaltas Ceoltóirí Éireann (CCÉ).

Access Note

These recordings have been digitally copied; all original media were retained, but may not be played due to format. Digital use copies, identified by digital content number, can be accessed in the Burns Library Reading Room.

Scope and Contents

Performances by invited fiddle players Kevin Burke, Liz Carroll, Seamus Connolly, Brian Conway, Johnny Cronin, Paddy Cronin, Tony De Marco, Martin Hayes, Eileen Ivers, James Kelly, Andy McGann, Johnny McGreevy, Brendan Mulvihill, Paddy Reynolds, Dale Russ, Martin Wynne, with Mel Mercier on bodhran and bones. Held in Boston College's Gasson Hall.

Access Note

These recordings have been digitally copied; all original media were retained, but may not be played due to format. Digital use copies can only be accessed in the Burns Library Reading Room.

Scope and Contents From the Collection: Boston College Gaelic Roots Festival is primarily documented through audio and video recordings of music and dance performances and lectures. There are also extensive color snapshot photographs of the festival, and these include classes and workshops as well as concerts and lectures. A smaller amount of paper and born-digital files from Séamus Connolly and Chrysandra Walter capture event planning through correspondence, class descriptions, evaluations, press releases, artist schedules,...

Access Note Collection is open for research. Audiovisual recordings have been digitally copied; all original media were retained, but may not be played due to format. Multitrack audio recordings (DTRS and ADAT) cannot be reformatted by Burns Library at this time and are not available for playback due to format impermanence. In a few instances for which audio was exclusively recorded in one of these formats, migration was outsourced.Original digital text and image files in this...

Scope and Contents From the Collection: Boston College Gaelic Roots Festival is primarily documented through audio and video recordings of music and dance performances and lectures. There are also extensive color snapshot photographs of the festival, and these include classes and workshops as well as concerts and lectures. A smaller amount of paper and born-digital files from Séamus Connolly and Chrysandra Walter capture event planning through correspondence, class descriptions, evaluations, press releases, artist schedules,...

Access Note Collection is open for research. Audiovisual recordings have been digitally copied; all original media were retained, but may not be played due to format. Multitrack audio recordings (DTRS and ADAT) cannot be reformatted by Burns Library at this time and are not available for playback due to format impermanence. In a few instances for which audio was exclusively recorded in one of these formats, migration was outsourced.Original digital text and image files in this...

Scope and Contents

Excerpts from: Friday Paddy Keenan concert; Seisiun Mor; Saturday Step Dancing Demonstration; Saturday Concert; Sean Potts whistle workshop; Sunday family musicians concert; and Sunday Afternoon Masters Concert.

Access Note Collection is open for research. Audiovisual recordings have been digitally copied; all original media were retained, but may not be played due to format. Multitrack audio recordings (DTRS and ADAT) cannot be reformatted by Burns Library at this time and are not available for playback due to format impermanence. In a few instances for which audio was exclusively recorded in one of these formats, migration was outsourced.Original digital text and image files in this...

Scope and Contents From the Collection: Boston College Gaelic Roots Festival is primarily documented through audio and video recordings of music and dance performances and lectures. There are also extensive color snapshot photographs of the festival, and these include classes and workshops as well as concerts and lectures. A smaller amount of paper and born-digital files from Séamus Connolly and Chrysandra Walter capture event planning through correspondence, class descriptions, evaluations, press releases, artist schedules,...

Access Note Collection is open for research. Audiovisual recordings have been digitally copied; all original media were retained, but may not be played due to format. Multitrack audio recordings (DTRS and ADAT) cannot be reformatted by Burns Library at this time and are not available for playback due to format impermanence. In a few instances for which audio was exclusively recorded in one of these formats, migration was outsourced.Original digital text and image files in this...

Scope and Contents From the Collection: Boston College Gaelic Roots Festival is primarily documented through audio and video recordings of music and dance performances and lectures. There are also extensive color snapshot photographs of the festival, and these include classes and workshops as well as concerts and lectures. A smaller amount of paper and born-digital files from Séamus Connolly and Chrysandra Walter capture event planning through correspondence, class descriptions, evaluations, press releases, artist schedules,...

Access Note Collection is open for research. Audiovisual recordings have been digitally copied; all original media were retained, but may not be played due to format. Multitrack audio recordings (DTRS and ADAT) cannot be reformatted by Burns Library at this time and are not available for playback due to format impermanence. In a few instances for which audio was exclusively recorded in one of these formats, migration was outsourced.Original digital text and image files in this...