Materials include both prints and negatives unless otherwise noted. The bulk of Doyle's commercial work was in color; black-and-white materials are noted.

Negatives, in boxes 27-38, are not an access medium and are not available for use; print photographs, in boxes 1-25, are available for access.

Materials include both prints and negatives unless otherwise noted. The bulk of Doyle's commercial work was in color; black-and-white materials are noted.

Negatives, in boxes 27-38, are not an access medium and are not available for use; print photographs, in boxes 1-25, are available for access.

Materials include both prints and negatives unless otherwise noted. The bulk of Doyle's commercial work was in color; black-and-white materials are noted.

Negatives, in boxes 27-38, are not an access medium and are not available for use; print photographs, in boxes 1-25, are available for access.

Materials include both prints and negatives unless otherwise noted. The bulk of Doyle's commercial work was in color; black-and-white materials are noted.

Negatives, in boxes 27-38, are not an access medium and are not available for use; print photographs, in boxes 1-25, are available for access.

Materials include both prints and negatives unless otherwise noted. The bulk of Doyle's commercial work was in color; black-and-white materials are noted.

Negatives, in boxes 27-38, are not an access medium and are not available for use; print photographs, in boxes 1-25, are available for access.

Materials include both prints and negatives unless otherwise noted. The bulk of Doyle's commercial work was in color; black-and-white materials are noted.

Negatives, in boxes 27-38, are not an access medium and are not available for use; print photographs, in boxes 1-25, are available for access.

Note that label indicates that there were 13 rolls in this shoot. Only 5 numbered rolls plus some additional loose prints were received.

Negatives, in boxes 27-38, are not an access medium and are not available for use; print photographs, in boxes 1-25, are available for access.

Materials include both prints and negatives unless otherwise noted. The bulk of Doyle's commercial work was in color; black-and-white materials are noted.

Negatives, in boxes 27-38, are not an access medium and are not available for use; print photographs, in boxes 1-25, are available for access.

EGSA is the Educational Guidance Service for Adults, but they use the acronym as their name. File contains correspondence from August and photographs from the September event.

Negatives, in boxes 27-38, are not an access medium and are not available for use; print photographs, in boxes 1-25, are available for access.

Materials include both prints and negatives unless otherwise noted. The bulk of Doyle's commercial work was in color; black-and-white materials are noted.

Negatives, in boxes 27-38, are not an access medium and are not available for use; print photographs, in boxes 1-25, are available for access.

Materials include both prints and negatives unless otherwise noted. The bulk of Doyle's commercial work was in color; black-and-white materials are noted.

Negatives, in boxes 27-38, are not an access medium and are not available for use; print photographs, in boxes 1-25, are available for access.

Materials include both prints and negatives unless otherwise noted. The bulk of Doyle's commercial work was in color; black-and-white materials are noted.

Negatives, in boxes 27-38, are not an access medium and are not available for use; print photographs, in boxes 1-25, are available for access.

Materials include both prints and negatives unless otherwise noted. The bulk of Doyle's commercial work was in color; black-and-white materials are noted.

Negatives, in boxes 27-38, are not an access medium and are not available for use; print photographs, in boxes 1-25, are available for access.

Materials include both prints and negatives unless otherwise noted. The bulk of Doyle's commercial work was in color; black-and-white materials are noted.

Negatives, in boxes 27-38, are not an access medium and are not available for use; print photographs, in boxes 1-25, are available for access.

Materials include both prints and negatives unless otherwise noted. The bulk of Doyle's commercial work was in color; black-and-white materials are noted.

Negatives, in boxes 27-38, are not an access medium and are not available for use; print photographs, in boxes 1-25, are available for access.

Co-sponsored by The Women's Resource and Development Agency and Community Change. Negatives for roll 1 are with Equity 2000 (Doyle called the roll "Equity Roll 2/CFC roll 1")

Negatives, in boxes 27-38, are not an access medium and are not available for use; print photographs, in boxes 1-25, are available for access.

The Equality 2000 and Community Facilitators Conference share an overlapping roll of negatives.

Negatives, in boxes 27-38, are not an access medium and are not available for use; print photographs, in boxes 1-25, are available for access.

Materials include both prints and negatives unless otherwise noted. The bulk of Doyle's commercial work was in color; black-and-white materials are noted.

Negatives, in boxes 27-38, are not an access medium and are not available for use; print photographs, in boxes 1-25, are available for access.

Materials include both prints and negatives unless otherwise noted. The bulk of Doyle's commercial work was in color; black-and-white materials are noted.

Negatives, in boxes 27-38, are not an access medium and are not available for use; print photographs, in boxes 1-25, are available for access.

Materials include both prints and negatives unless otherwise noted. The bulk of Doyle's commercial work was in color; black-and-white materials are noted.

Negatives, in boxes 27-38, are not an access medium and are not available for use; print photographs, in boxes 1-25, are available for access.

Materials include both prints and negatives unless otherwise noted. The bulk of Doyle's commercial work was in color; black-and-white materials are noted.

Negatives, in boxes 27-38, are not an access medium and are not available for use; print photographs, in boxes 1-25, are available for access.

Northern Ireland Council for Voluntary Action (NICVA)

Negatives, in boxes 27-38, are not an access medium and are not available for use; print photographs, in boxes 1-25, are available for access.

EGSA stands for the Educational Guidance Service for Adults, but they use the acronym as their name.

Negatives, in boxes 27-38, are not an access medium and are not available for use; print photographs, in boxes 1-25, are available for access.

Materials include both prints and negatives unless otherwise noted. The bulk of Doyle's commercial work was in color; black-and-white materials are noted.

Negatives, in boxes 27-38, are not an access medium and are not available for use; print photographs, in boxes 1-25, are available for access.

Materials include both prints and negatives unless otherwise noted. The bulk of Doyle's commercial work was in color; black-and-white materials are noted.

Negatives, in boxes 27-38, are not an access medium and are not available for use; print photographs, in boxes 1-25, are available for access.