Box 34 (negatives)
Restricted
Contains 8 Results:
John Anderson (Big Band Video), 1990
Photos of the video being produced.
Negatives, in boxes 27-38, are not an access medium and are not available for use; print photographs, in boxes 1-25, are available for access.
Commercial work, color negatives only, 1997-2000
Materials include both prints and negatives unless otherwise noted. The bulk of Doyle's commercial work was in color; black-and-white materials are noted.
Negatives, in boxes 27-38, are not an access medium and are not available for use; print photographs, in boxes 1-25, are available for access.
Women's Coalition (Events and Head Shots), 1998-1999
Materials include both prints and negatives unless otherwise noted. The bulk of Doyle's commercial work was in color; black-and-white materials are noted.
Negatives, in boxes 27-38, are not an access medium and are not available for use; print photographs, in boxes 1-25, are available for access.
Industry Across Catholic and Protestant West Belfast, Schools, and Leisure, color negatives only, undated
Label included a note that there are no prints for these negatives.
Negatives, in boxes 27-38, are not an access medium and are not available for use; print photographs, in boxes 1-25, are available for access.
Northern Ireland, prints, contact sheets, color transparencies, and negatives, 1980s-2003
These were received as multiple boxes labeled "General," "General NI," "General NI + environment," "Pics," and "Own work, very NI". All contain a selection of images across the spectrum of Doyle's Northern Ireland photojournalism . Unlike most other of her prints, many of these have identifying information on the back. One set of negatives and contact prints includes work from the Republic of Ireland as well as Northern Ireland. Box 25 contains mounted prints that Doyle exhibited.
Color positive transparencies, in box 21, require use of a light box provided by the Burns Library Reading Room.
Sunday World, negatives only, 1997-1998
The bulk of Doyle's journalism was in black-and-white; color materials are noted. Materials include both prints and negatives unless otherwise noted.
Negatives, in boxes 27-38, are not an access medium and are not available for use; print photographs, in boxes 1-25, are available for access.
France, contact sheets and negatives only, 1997-2002
The bulk of Doyle's journalism was in black-and-white; color materials are noted. Materials include both prints and negatives unless otherwise noted.
Negatives, in boxes 27-38, are not an access medium and are not available for use; print photographs, in boxes 1-25, are available for access.
Somalia (Concern Worldwide) prints, color transparencies, and negatives, 1993
The bulk of Doyle's journalism was in black-and-white; color materials are noted. Materials include both prints and negatives unless otherwise noted.
Color positive transparencies, in box 21, require use of a light box provided by the Burns Library Reading Room.