Scope and Contents From the Sub-Series:

The bulk of Doyle's journalism was in black-and-white; color materials are noted. Materials include both prints and negatives unless otherwise noted.

Access Note

Negatives, in boxes 27-38, are not an access medium and are not available for use; print photographs, in boxes 1-25, are available for access.

Scope and Contents

These were received as multiple boxes labeled "General," "General NI," "General NI + environment," "Pics," and "Own work, very NI". All contain a selection of images across the spectrum of Doyle's Northern Ireland photojournalism . Unlike most other of her prints, many of these have identifying information on the back. One set of negatives and contact prints includes work from the Republic of Ireland as well as Northern Ireland. Box 25 contains mounted prints that Doyle exhibited.

Access Note

Color positive transparencies, in box 21, require use of a light box provided by the Burns Library Reading Room.

Scope and Contents From the Sub-Series:

The bulk of Doyle's journalism was in black-and-white; color materials are noted. Materials include both prints and negatives unless otherwise noted.

Access Note

Negatives, in boxes 27-38, are not an access medium and are not available for use; print photographs, in boxes 1-25, are available for access.

Scope and Contents From the Sub-Series:

The bulk of Doyle's journalism was in black-and-white; color materials are noted. Materials include both prints and negatives unless otherwise noted.

Access Note

Negatives, in boxes 27-38, are not an access medium and are not available for use; print photographs, in boxes 1-25, are available for access.

Scope and Contents From the Sub-Series:

The bulk of Doyle's journalism was in black-and-white; color materials are noted. Materials include both prints and negatives unless otherwise noted.

Access Note

Color positive transparencies, in box 21, require use of a light box provided by the Burns Library Reading Room.

Scope and Contents From the Collection: Lesley Doyle's photographic archives spans her freelance career in photojournalism and commercial photography work for nonprofit community development organizations. Her output was largely journalistic in the 1980s and early 1990s, but by 2000 her work was predominantly used in publicity and annual reports for nonprofits. Doyle's photojournalistic work captured daily life in Catholic and Protestant Belfast communities; student and worker protests; women political and community leaders; the...

Access Note

Collection is open for research.

Digital photographs in this collection have been migrated from source media; digital use copies can only be accessed onsite in the Burns Library Reading Room. Negatives are not an access medium and are not available for use; print photographs are available for access. Color positive transparencies require use of a light box provided by the Burns Library Reading Room.

Scope and Contents From the Collection: Lesley Doyle's photographic archives spans her freelance career in photojournalism and commercial photography work for nonprofit community development organizations. Her output was largely journalistic in the 1980s and early 1990s, but by 2000 her work was predominantly used in publicity and annual reports for nonprofits. Doyle's photojournalistic work captured daily life in Catholic and Protestant Belfast communities; student and worker protests; women political and community leaders; the...

Access Note

Collection is open for research.

Digital photographs in this collection have been migrated from source media; digital use copies can only be accessed onsite in the Burns Library Reading Room. Negatives are not an access medium and are not available for use; print photographs are available for access. Color positive transparencies require use of a light box provided by the Burns Library Reading Room.