Scope and Contents From the Series:

Interviews conducted by Kent for publication in print media. Most interviews are the source audio recordings. For a few, transcriptions or drafts of the published article are also included, where noted. See also the clippings of Kent's published works for published interviews.

Access Note

The audio recordings (boxes 2-4) in this series are not available for playback due to format impermanence and have not yet been reformatted. Transcripts and typescripts (box 1) are available for research use.

Scope and Contents From the Series:

Interviews conducted by Kent for publication in print media. Most interviews are the source audio recordings. For a few, transcriptions or drafts of the published article are also included, where noted. See also the clippings of Kent's published works for published interviews.

Access Note

The audio recordings (boxes 2-4) in this series are not available for playback due to format impermanence and have not yet been reformatted. Transcripts and typescripts (box 1) are available for research use.

Scope and Contents From the Series:

Interviews conducted by Kent for publication in print media. Most interviews are the source audio recordings. For a few, transcriptions or drafts of the published article are also included, where noted. See also the clippings of Kent's published works for published interviews.

Access Note

The audio recordings (boxes 2-4) in this series are not available for playback due to format impermanence and have not yet been reformatted. Transcripts and typescripts (box 1) are available for research use.

Scope and Contents From the Series:

Interviews conducted by Kent for publication in print media. Most interviews are the source audio recordings. For a few, transcriptions or drafts of the published article are also included, where noted. See also the clippings of Kent's published works for published interviews.

Access Note

The audio recordings (boxes 2-4) in this series are not available for playback due to format impermanence and have not yet been reformatted. Transcripts and typescripts (box 1) are available for research use.

Scope and Contents From the Series:

Interviews conducted by Kent for publication in print media. Most interviews are the source audio recordings. For a few, transcriptions or drafts of the published article are also included, where noted. See also the clippings of Kent's published works for published interviews.

Access Note

The audio recordings (boxes 2-4) in this series are not available for playback due to format impermanence and have not yet been reformatted. Transcripts and typescripts (box 1) are available for research use.

Scope and Contents From the Series:

Interviews conducted by Kent for publication in print media. Most interviews are the source audio recordings. For a few, transcriptions or drafts of the published article are also included, where noted. See also the clippings of Kent's published works for published interviews.

Access Note

The audio recordings (boxes 2-4) in this series are not available for playback due to format impermanence and have not yet been reformatted. Transcripts and typescripts (box 1) are available for research use.

Scope and Contents From the Series:

Interviews conducted by Kent for publication in print media. Most interviews are the source audio recordings. For a few, transcriptions or drafts of the published article are also included, where noted. See also the clippings of Kent's published works for published interviews.

Access Note

The audio recordings (boxes 2-4) in this series are not available for playback due to format impermanence and have not yet been reformatted. Transcripts and typescripts (box 1) are available for research use.

Scope and Contents From the Series:

Interviews conducted by Kent for publication in print media. Most interviews are the source audio recordings. For a few, transcriptions or drafts of the published article are also included, where noted. See also the clippings of Kent's published works for published interviews.

Access Note

The audio recordings (boxes 2-4) in this series are not available for playback due to format impermanence and have not yet been reformatted. Transcripts and typescripts (box 1) are available for research use.

Scope and Contents Edited interview was published in the September 12, 1968 Village Voice. The cassette label notes that the interview was recorded in Casey’s Restaurant. Interviewees include Warhol, his producer Paul Morrissey, and the actress Viva. Interview starts with a discussion of Kent's tape recorder and how to monitor its recording level. After some banter from Viva, Kent asks Warhol how he's been feeling (after having been shot 3 months prior) and whether he's rethought his lifestyle at all. He...

Access Note

The audio recordings (boxes 2-4) in this series are not available for playback due to format impermanence and have not yet been reformatted. Transcripts and typescripts (box 1) are available for research use.

Scope and Contents The edited interview was published in the July 31, 1977 issue of the New York Times. The first recording is a three-minute portion of the interview where Scheider says he'd love to work with film directors Coppolla, Truffault, Fellini, Bergman, and talks about losing his temper. The second side contains another approximately three-minute segment where a continuation of the Roy Scheider interview, with him giving an example of a time when he lost his temper on a long day's film shoot with no...

Access Note

The audio recordings (boxes 2-4) in this series are not available for playback due to format impermanence and have not yet been reformatted. Transcripts and typescripts (box 1) are available for research use.

Scope and Contents The edited interview was published in the May 1, 1977 issue of the New York Times. The recording contains Gilliam and one other person discussing with Kent whether a film or TV show (possibly the 1977 Roots TV miniseries) seems real or just a Hollywood version? Compares it to Disney's Davy Crockett; then discussing American TV shows being on British TV such as Streets of San Francisco and Kojak. Gilliam mentions that his next project is the film Brazil, which he describes as being about a...

Access Note

The audio recordings (boxes 2-4) in this series are not available for playback due to format impermanence and have not yet been reformatted. Transcripts and typescripts (box 1) are available for research use.

Scope and Contents The edited interview was published in the March 1, 1970 issue of Vogue. The recording of Warhol (along with an unidentified woman, likely Brigid Berlin) starts with a discussion of his Blue Movie (1969) being classified as pornography, which he denies that it is. Kent asks how he moved from painting into film which he then discusses, including how he started counting the cuts in movies and decided there must be another way to make movies, by just letting the camera run, such as for Empire...

Access Note

The audio recordings (boxes 2-4) in this series are not available for playback due to format impermanence and have not yet been reformatted. Transcripts and typescripts (box 1) are available for research use.

Scope and Contents From the Series:

Interviews conducted by Kent for publication in print media. Most interviews are the source audio recordings. For a few, transcriptions or drafts of the published article are also included, where noted. See also the clippings of Kent's published works for published interviews.

Access Note

The audio recordings (boxes 2-4) in this series are not available for playback due to format impermanence and have not yet been reformatted. Transcripts and typescripts (box 1) are available for research use.

Scope and Contents

Audio recording and transcript (for one interview only).

Access Note

The audio recordings (boxes 2-4) in this series are not available for playback due to format impermanence and have not yet been reformatted. Transcripts and typescripts (box 1) are available for research use.

Scope and Contents

The edited interview was published in the January 1978 issue of Vogue.

Access Note

The audio recordings (boxes 2-4) in this series are not available for playback due to format impermanence and have not yet been reformatted. Transcripts and typescripts (box 1) are available for research use.